FEATURES  (August 25 – August 31, 2008)

 

Pardanon Samtoy

Jose “Pepito” Alvarez

 

Cultural heritage of the Church

 

(This writer wishes to ask apology from the readers of this column for the momentary suspension of the fourth in a series with regards the Christianization of the North to give way to a very important subject which is very much relevant to the ongoing series.)

 

The clergy of the Diocese of Laoag Convened on Aug. 18, 2008 to Aug. 20, 2008 at the Playa Tropical Beach Resort in Currimao, Ilocos Norte as part of their ongoing formation. Said convocation was centered on the Basic orientation on the Cultural Heritage of the Church. This was made possible thru the initiative and approval of our beloved Bishop Sergio Utleg D.D.

It was indeed a very rare opportunity for me to have been invited by the good Bishop. The discussions were centered on our needed active participation in the caring, preservation and restoration of our Heritage. This Heritage does not only mean the tangible, like the buildings and images but also the intangible which is considered as the soul of our heritage. The movement in a dance, the rhythm of music and the fleeting moment in a presentation is what is called the intangible.

Bishop Sergio L. Utleg delivered the statement of purpose in his Opening Remarks which was followed by a power point presentation on the initial perspective on the Cultural Heritage of the Church in the Diocese of Laoag by Fr. Ericson Josue.

Those who were invited as resource speakers were Fr. Milan Ted D. Torralba who discussed “The A.B.C. on the Cultural Heritage of the church.” Followed by: Fr. Harold Rentoria, O.S.A; Head of the NCCA National Committee on Archives who discussed “The Pastoral Function of the Ecclesiastical Archives in the life of the Church.”

 The fourth speaker was Ms. Corazon C. Alvina, Director of the National Museum of the Philippines who discussed “The perspective of the National Museum of the Philippines on the Cultural Heritage of the Church.”

The last to speak was Prof. Alexandria I. Chua, Professor of Heritage Musicology, UST Conservatory of Music who discussed “The Place and Function of Heritage Music in the Life of the Church.”

One does not need the required detailed knowledge of a heritage site or of an archeological find or of poems, folk songs or folk tales to lay claim of ownership over this great wealth. The seminar taught me a new word, “beneficial owner” (all of us; Catholic or non-Catholic; Christian or atheist; rich or poor) and because of this ownership, we can have a link with the past and the future. It provides a nickname for a particular feeling of Pride: “a rich cultural heritage” which makes one proud being a Filipino or Particularly; “Proud to be Ilocano,” I was delighted to have observed the energetic attention to the lectures for three days of Bishop Utleg and the members of the clergy and as a positive response, the bishop immediately recommended the creation of a committee on Culture and Church heritage to be headed by Fr. Danny Laeda.

Points to Ponder: Much of what we know of the past, we have learned them from historians and artists. Visual artist have always been intentional chroniclers. They have also been unintentional historians, showing us through their art the intimate details of life long ago. One of them was our very own Juan Luna whose works have become our priceless heritage. You and I are beneficial owners of his works.

The Builder, the musician, the chronicler, the poet and the painter as historian has not a good name says John Russel of the New York Times. History-painting for example was a drudgery as often as not, and all too often it showed. “But the painter as newsman!” That is someone quite different. It was the painter as newsman who gave us not “history” but our first unforgettable drafts of it.” Whether or not the painter himself was present at the event, says Russel, “He makes us feel that we have been there.” His eyes become our eye, and our hearts beat with his. Now you can imagine what it means by “beneficial owner.”

When I was listening to the lecture of Prof. Alexandria Chua, on heritage musicology, I was smiling inside of me because I remembered the verbal mistakes in our prayers and liturgical songs. Just how easily verbal mistakes or verbal misunderstandings can blossom is demonstrated in our “Amami”; I always hear “Isalakan nakan ti (sic) dakes” instead of “isalakan nakam iti dakes.” Wrong syllabications have so proliferated into our songs. Certain words in loco change entirely their meaning when you change their syllabication. Indeed, there is wisdom on the Bishop’s creation of a committee on “Culture and Church Heritage.” This committee will be tasked with a multi faceted job to polish many of our existing knowledge on our tangible and intangible heritage.

 

 

Ilocos Times copyright 2008

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